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SAN FRANCISCO COMPOSERS CHAMBER ORCHESTRA
Mark Alburger, Music Director
Sunday, May 9, 2004, at 8:00pm
544 Capp Street Community Music Center
San Francisco, CA

PROGRAM
 
 

Jab

Exuviae

Thomas Goss's credits as a composer include music written for dance, film, television, and the concert stage. His works have been commissioned and premiered by such groups as Marin Symphony, Earplay, Onyx String Quartet, and the San Francisco Symphony Chamber Ensemble, and he has created concerto repertoire for soloists such as violist Linda Ghidossi-DeLuca and erhuist Xiaofeng Zhang. He lives in New Zealand with his wife Erica and one unappreciative cat. Goss is a member of ASCAP, and is published by Tiritiri Matangi Music.

Thomas Goss

Winter Scenes
2. Dryness of Hard Frost
5. Snowblind

Dr. Erling Wold is a composer and man-about-town. He recently premiered two large works, his Missa Beati Notkeri Balbuli Sancti Galli Monachi in St Gallen, Switzerland, and his solo opera Mordake for tenor John Duykers as part of the San Francisco International Arts Festival. He is currently working on a personal autobiographical theater piece detailing his corruption and death with the help of James Bisso, which may never be finished, and just finished a more tractable violin sonata for the Denisova-Kornienko duo in Vienna. He is best known for his operas, including Sub Pontio Pilato, an historical fantasy on the death and remembrance of Pontius Pilate, a chamber opera based on William Burroughs' early autobiographical novel Queer, and his critically acclaimed work A Little Girl Dreams of Taking the Veil, based on the Max Ernst collage novel.

Erling Wold *
Dima Hilal, Libretto

poem to you written in whispers
homecoming


Dina Emerson, Soprano

video

John Beeman studied with Peter Fricker and William Bergsma at the University of Washington where he received his Master's degree. His first opera, The Great American Dinner Table was produced on National Public Radio. Orchestral works have been performed by the Fremont-Newark Philharmonic, Santa Rosa Symphony, and the Peninsula Symphony. The composer's second opera, Law Offices, premiered in San Francisco in 1996 and was performed again in 1998 on the steps of the San Mateo County Courthouse. Concerto for Electric Guitar and Orchestra was premiered in January 2001 by Paul Dresher, electric guitar. Mr. Beeman has attended the Ernest Bloch Composers' Symposium, the Bard Composer-Conductor program, the Oxford Summer Institutes, and the Oregon Bach Festival and has received awards through Meet the Composer, the American Music Center and ASCAP. Compositions have been performed by Ensemble Sorelle, the Mission Chamber Orchestra, the Ives Quartet, Fireworks Ensemble, the Oregon Repertory Singers and Schola Cantorum of San Francisco.

John Beeman *

Smoke and Mirrors

Alexis Alrich is presently living in Hong Kong but visits the Bay Area frequently. Her Marimba Concerto, which was presented by the SFCCO, will be played by the Plymouth Symphony in Plymouth, Michigan in 2009 with conductor Nan Washburn. Her piece Island of the Blue Dolphins was performed by the Santa Barbara Symphony on January 19, 2007. She attended an artists' colony in 2007, I-Park in Connecticut, where she wrote Fragile Forests II: Cambodia, next in the series after Fragile Forests I: California Oaks, which was premiered in December 2006 by the San Francisco Composers Orchestra. As one of the winners of a Continental Harmony grant from the American Composers Forum she has written a piece for chorus, orchestra and soloists for the state of Maine. Avenues, her first orchestra piece, was premiered by the Women's Philharmonic and has been played around the country. Her chamber compositions have been performed by members of the San Francisco ballet, opera and symphony orchestras and ensembles including Bay Brass, City Winds, the Ahlert and Schwab guitar and mandolin duo in Germany, the Ariel Ensemble, New Release Alliance and Earplay in San Francisco. Ms. Alrich is the director of the John Adams Young Composers program in Berkeley, California. This is an intensive training program for composers ages 9-18 in honor of and under the aegis of John Adams.

Alexis Alrich

Marimba Concerto

Matthew Cannon, Marimba

intermission

 

The multi-instrumentalist Michael Cooke is a composer of jazz and classical music. This two-time Emmy, ASCAPLUS Award and Louis Armstrong Jazz Award winner plays a variety of instruments: you can hear him on soprano, alto, and tenor saxophones, flute, soprano and bass clarinets, bassoon and percussion. A cum laude graduate with a music degree from the University of North Texas, he had many different areas of study; jazz, ethnomusicology, music history, theory and of course composition. In 1991 Michael began his professional orchestral career performing in many north Texas area symphonies. Michael has played in Europe, Mexico, and all over the United States. Cimarron Music Press began published many of Michael's compositions in 1994. After relocating to the San Francisco Bay Area, he has been exploring new paths in improvised and composed music, mixing a variety of styles and techniques that draw upon the creative energy of a multicultural experience, both in and out of America. In 1999, Michael started a jazz label called Black Hat Records (blackhatrecords.com) and is currently on the Board of Directors of the San Francisco Composers Chamber Orchestra. The San Francisco Beacon describes Michael's music as "flowing out color and tone with a feeling I haven't heard in quite a while. Michael plays with such dimension and flavor that it sets (his) sound apart from the rest." Uncompromising, fiery, complex, passionate, and cathartic is how the All Music Guide labeled Michael's playing on Searching by Cooke Quartet, Statements by Michael Cooke and The Is by CKW Trio. His latest release, An Indefinite Suspension of The Possible, is an unusual mixture of woodwinds, trombone, cello, koto and percussion, creating a distinct synergy in improvised music that has previously been untapped.

Michael Cooke *

Concerto for Musician
I. Cosmological
II. Mechanical
III. Aqualogical

Michael Cooke, Woodwinds

 

Eduard Prosek

Idylwild

Lisa Scola Prosek is a graduate of Princeton University in Music Composition. Her teachers include Edward Cone, Milton Babbitt, Lukas Foss, and Gaetano Giani Luporini. Scola Prosek is the recipient of numerous grants, commissions and awards, including The NY Center for Contemporary Opera "Atelier" Award for The Lariat. Scola Prosek has composed and produced eight operas with librettos in Italian and English. In 2012, Daughter of the Red Tzar, written for acclaimed tenor John Duykers, premiered in San Francisco to capacity audiences, and is currently on the outreach season with Long Beach Opera. Lisa serves as General Manager and Director of the San Francisco Composers Chamber Orchestra, since 2001. Other awards have been from Theatre Bay Area, the LEF Foundation, The Argosy Contemporary Music Fund, Meet the Composer, the Hewlett Foundation, the American Composers Forum, The San Francisco Arts Commission, The Center for Cultural Innovation, The California Arts Council, the NEA and the Zellerbach Foundation.

Lisa Scola Prosek *

Pericles

Dr. Mark Alburger (1957-2023, Upper Darby, PA) was an award-winning, eclectic ASCAP composer with postminimal, postpopular, and postcomedic sensibilities. He was the Music Director of SF Composers Chamber Orchestra, SF Cabaret Opera / Goat Hall Productions, and The Opus Project; Editor-Publisher of 21st-Century Music and New Music; Adjunct Professor Emeritus of Music Theory and Literature at Diablo Valley College; and a Musicologist for Grove Online and Grove Dictionary of American Music. His principal teachers were Gerald Levinson and Joan Panetti (Swarthmore College, B.A.); Jules Langert (Dominican University, M.A.); Christopher Yavelow (Claremont University, Ph.D.); and Terry Riley. Dr. Alburger had composed 399 major works, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue was available from New Music. (markalburgerworks.blogspot.com)

Mark Alburger

Flute Concerto ("Mythological")
I. Allegro aperto
II. Adagio non troppo
III. Allegro

Bruce Salvisberg, Flute

* Supported in part through Subito, the quick advancement grant program of the San Francisco Bay Area Chapter of the American Composers Forum.

speaker Click on the links to listen to the music. video Click on the links for video.

PERFORMERS
 

Flute
Bruce Salvisberg
Harry Bernstein

Oboe
Mark Alburger
John Kendall Bailey

Clarinet
Rachel Condry
Michael Kimbell

Bassoon
Michael Cooke

Trumpet
Jab
Jim Rodseth

French Horn
Brian Holmes
Jan Pusina

Trombone
Josh Sirotiak

Tuba
Forrest Byram

Piano
Alexis Alrich
Lisa Scola Prosek
Erling Wold

Percussion
Ken Crawford
Matthew Cannon


Violin I

David Reffkin *
Brooke Aird
Ada Avrutskaya

*concertmaster

Violin II
Ruby Fulton
Joyce Lee
Joanna Pinckney

Viola
Katrina Wreede
Darcy Rindt

Cello
Alex Kelly

Bass
John Beeman


Soprano
Dina Emerson

 

Matthew Cannon's origins are in the Deep South. Seven years ago he tore up his Southern roots for the glory of the San Francisco Conservatory where he trained in the subtle art of the mallet under the instruction of Mr. Jack van Geem. It was during his tenure at the Conservatory that he met Ms. Alrich and the two discussed plans for collaborating on a marimba concerto. Mr. Cannon is honored to be performing this movement of the work tonight with the SFCCO. Matthew may be seen performing around San Francisco as a marimbist and keyboardist with the award winning cabaret ensemble, Cotton Candy.

Mark Alburger Dr. Mark Alburger was the Music Director, Conductor, and founder of the San Francisco Composers Chamber Orchestra. Mark was an eclectic American composer known for his postminimal, postpopular, and postcomedic sensibilities. He served as the Music Director of Goat Hall Productions / San Francisco Cabaret Opera, Editor-Publisher of 21st-Century Music Journal, an award-winning ASCAP composer of concert music published by New Music, an Instructor in Music Theory and Literature at Diablo Valley College, a Music Critic for Commuter Times, an author, musicologist, oboist, pianist, and recording artist.

Dr. Alburger studied oboe with Dorothy Freeman and played in student orchestras that were in association with George Crumb and Richard Wernick. He studied composition and musicology with Gerald Levinson, Joan Panetti, and James Freeman at Swarthmore College (B.A.), Karl Kohn at Pomona College, Jules Langert at Dominican College (M.A.), Tom Flaherty and Roland Jackson at Claremont Graduate School (Ph.D.), and Terry Riley.
       Since 1987, he had lived in the San Francisco Bay Area, where he initially produced a significant amount of vocal music with assembled texts. His works from this period included the opera "Mice and Men" (1992), the crisis-madrigal collection L.A. Stories (1993), the rap sheet For My Brother For My Brother (1997), and the hieratic Passion According to Saint Matthew (1997).

Since 1997, Dr. Alburger had gridded and troped compositions upon pre-existent compositions ranging from world music and medieval sources to contemporaries such as George Crumb and Philip Glass. To that date, he had written 16 concerti, 7 masses and oratorios, 12 preludes and fugues, 20 operas, 6 song cycles, and 9 symphonies -- a total of 500 opus numbers amounting to more than 800 individual pieces.


John Kendall Bailey John Kendall Bailey is an Associate Conductor with the San Francisco Composers Chamber Orchestra and is Principal Conductor and Chorus Master of the Trinity Lyric Opera, Music Director and Conductor of Voices of Musica Sacra, and Artistic Director of the San Francisco Song Festival. In 1994, Mr. Bailey founded the Berkeley Lyric Opera and served as its Music Director and Conductor until 2001. Since then he has been a guest conductor with the Oakland East Bay Symphony, Oakland Youth Orchestra, and Oakland Ballet, and music director and conductor for productions with North Bay Opera, Mission City Opera, Goat Hall Productions, Solo Opera, the Crowden School and Dominican University. From 2002-2006 he was the Chorus Master of the Festival Opera of Walnut Creek. Mr. Bailey is also a composer, and his works have been performed and commissioned in the Bay Area and abroad.

Mr. Bailey also maintains a busy performance schedule as a bass-baritone, oboist, and pianist, and has performed with the San Francisco, Santa Rosa, Oakland East Bay, Berkeley, Redding, Napa, Sacramento, and Prometheus symphonies, American Bach Soloists, Philharmonia Baroque Orchestra, the Midsummer Mozart and West Marin music festivals, San Francisco Bach Choir, Coro Hispano de San Francisco, Pacific Mozart Ensemble, California Vocal Academy, San Francisco Concerto Orchestra, Masterworks Chorale of San Mateo, Baroque Arts Ensemble, San Francisco Korean Master Chorale, the Master Sinfonia, the Mark Morris and Merce Cunningham dance companies, Goat Hall Productions, Opera Piccola, the Berkeley, Golden Gate, and Oakland Lyric Opera companies, and many other groups. He has recorded for the Harmonia Mundi, Koch International, Pro Musica, Wildboar, Centaur, and Angelus Music labels.

Mr. Bailey has been a pre-performance lecturer for the Oakland East Bay Symphony and the San Francisco Opera, a critic for the San Francisco Classical Voice, a writer of real-time commentary for the Concert Companion, and has taught conducting at the University of California at Davis.


Michael CookeMichael Cooke is the Promotion & Fundraising Director of the San Francisco Composers Chamber Orchestra and a composer of jazz and classical music. This two-time Emmy and Louis Armstrong Jazz Award winner plays a variety of instruments: you can hear him on soprano, alto, and tenor saxophones, flute, soprano and bass clarinets, bassoon and percussion. A cum laude graduate with a music degree from the University of North Texas, he had many different areas of study; jazz, ethnomusicology, music history, theory and of course composition. In 1991 Michael began his professional orchestral career performing in many north Texas area symphonies. Michael has played in Europe, Mexico, and all over the United States. Cimarron Music Press began published many of Michael's compositions in 1994.

After relocating to the San Francisco Bay Area, he has been exploring new paths in improvised and composed music, mixing a variety of styles and techniques that draw upon the creative energy of a multicultural experience, both in and out of America. In 1999, Michael started a jazz label called Black Hat Records. The San Francisco Beacon describes Michael's music as "flowing out color and tone with a feeling I haven't heard in quite a while. Michael plays with such dimension and flavor that it sets (his) sound apart from the rest." Uncompromising, fiery, complex, passionate, and cathartic is how the All Music Guide labeled Michael's playing on Searching by Cooke Quartet, Statements by Michael Cooke and The Is by CKW Trio. His latest release, An Indefinite Suspension of The Possible, is an unusual mixture of woodwinds, trombone, cello, koto and percussion, creating a distinct synergy in improvised music that has previously been untapped. www.michaelkcooke.com