Roberto Becheri received his Doctorate in Composition, at the Conservatory of Florence, Italy, and also a degree in Literature from the University of Bologna. His Composition studies were with Gaetano Giani Luporini, Carlo Prosperi, Armando Gentilucci, and Giacomo Manzoni. He currently teaches composition at the Conservatory of Florence. He also teaches musical analysis with the Guido D'Arezzo Foundation, in Arezzo. His compositions include works for theater, and "microtheatrical" works, a musical genre he created, characterized by music purposefully bare of all elements of lyric opera. Roberto Becheri is currently collaborating on Italy's National Edition of the Works of Palestrina. He is the author of In attesa dell'alba a treatise on the intersection of his various interests (philosophy, aesthetics, history of religions, acoustics, and harmony).

Martha Stoddard earned her Bachelor of Arts degree at Humboldt State University and Master of Music from San Francisco State University, where she studied flute, conducting, and composition. She was recently named Program Director of the John Adams Young Composers Program at the Crowden Music Center and has held the position of Artistic Director of the Oakland Civic Orchestra since 1997. Stoddard is Associate Conductor of the San Francisco Composers Chamber Orchestra and Director of Instrumental Music at Lick-Wilmerding High School. Other activities include engagements as Musical Director for Lisa Scola Prosek's Belfagor and Trap Door, John Bilotta's Trifles, Mark Alburger's Job: A Masque, and the Erling Wold / Davide Verotta / Scola Prosek / Stoddard Dieci Giorni, premiered in San Francisco in 2010. In October 2012, she conducted the premiere of Scola Prosek's The Daughter o the Red Tsar, featuring tenor John Duykers. A 2009 and 2010 recipient of AscapPlus Awards, her music has been performed in San Francisco through the American Composer's Forum, by the Sierra Ensemble, Avenue Winds and in the UK by flutists Carla Rees and Lisa Bost. She has had performances by the San Francisco Choral Artists, Schwungvoll!, the Community Women's Orchestra, Oakland Civic Orchestra, Womensing, Bakersfield Symphony New Directions Series, in the Trinity Chamber Concert Series and the New Music Forum Festival of Contemporary Music. Recent commissions include Points of Reference, Outbursts: an Homage to Brahms, Orchestral Suite for the Young of all Ages, and the Trio for Clarinet, Cello, and Piano.

Lisa Scola Prosek is a graduate of Princeton University in Music Composition. Her teachers include Edward Cone, Milton Babbitt, Lukas Foss, and Gaetano Giani Luporini. Scola Prosek is the recipient of numerous grants, commissions and awards, including The NY Center for Contemporary Opera "Atelier" Award for The Lariat. Scola Prosek has composed and produced eight operas with librettos in Italian and English. In 2012, Daughter of the Red Tzar, written for acclaimed tenor John Duykers, premiered in San Francisco to capacity audiences, and is currently on the outreach season with Long Beach Opera. Lisa serves as General Manager and Director of the San Francisco Composers Chamber Orchestra, since 2001. Other awards have been from Theatre Bay Area, the LEF Foundation, The Argosy Contemporary Music Fund, Meet the Composer, the Hewlett Foundation, the American Composers Forum, The San Francisco Arts Commission, The Center for Cultural Innovation, The California Arts Council, the NEA and the Zellerbach Foundation.

Lisa Scola Prosek is a graduate of Princeton University in Music Composition. Her teachers include Edward Cone, Milton Babbitt, Lukas Foss, and Gaetano Giani Luporini. Scola Prosek is the recipient of numerous grants, commissions and awards, including The NY Center for Contemporary Opera "Atelier" Award for The Lariat. Scola Prosek has composed and produced eight operas with librettos in Italian and English. In 2012, Daughter of the Red Tzar, written for acclaimed tenor John Duykers, premiered in San Francisco to capacity audiences, and is currently on the outreach season with Long Beach Opera. Lisa serves as General Manager and Director of the San Francisco Composers Chamber Orchestra, since 2001. Other awards have been from Theatre Bay Area, the LEF Foundation, The Argosy Contemporary Music Fund, Meet the Composer, the Hewlett Foundation, the American Composers Forum, The San Francisco Arts Commission, The Center for Cultural Innovation, The California Arts Council, the NEA and the Zellerbach Foundation.

Davide Verotta was born in a boring Italian town close to Milano and moved to the very much more exciting San Francisco in his late twenties. He studied piano at the Milano Conservatory and piano and composition at the San Francisco Conservatory and State University (MA in composition), and at the University of California at Davis (PhD). He is an active solo and ensemble piano recitalist, and he is actively involved in the new music performance and composition scene in the San Francisco Bay Area. Recent compositions include works for orchestra, chamber opera, dance, piano solo, and different chamber ensembles. For more information please visit his web site at http://www.davideverotta.com.

Dr. Mark Alburger (1957-2023, Upper Darby, PA) was an award-winning, eclectic ASCAP composer with postminimal, postpopular, and postcomedic sensibilities. He was the Music Director of SF Composers Chamber Orchestra, SF Cabaret Opera / Goat Hall Productions, and The Opus Project; Editor-Publisher of 21st-Century Music and New Music; Adjunct Professor Emeritus of Music Theory and Literature at Diablo Valley College; and a Musicologist for Grove Online and Grove Dictionary of American Music. His principal teachers were Gerald Levinson and Joan Panetti (Swarthmore College, B.A.); Jules Langert (Dominican University, M.A.); Christopher Yavelow (Claremont University, Ph.D.); and Terry Riley. Dr. Alburger had composed 399 major works, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue was available from New Music. (markalburgerworks.blogspot.com)

Stardust is an anarchist, animist, queer/genderqueer, radical faerie composer living in the somewhat embattled and mythical sanctuary of San Francisco. Since 2014, Stardust's SFCCO offerings have included A la recherche des danses perdues, Home, Railway Sonata, Wiggle, and a theatre triptych of True of Voice Overture, True of Voice Entr'acte, and True of Voice Finale. Stardust also playwrights, most recently creating Lucia, a play about a lesbian anarchist revolutionary organizer of a group called "Mujeres Libres" ("Free Women") during the Spanish Civil War and Social Revolution. Other works include chamber music and symphonic music prepared for encouraging musician friends at events such as the Humboldt and Calcap Chamber Music Workshops and welcoming ensembles such as the Opus Project Orchestra, the Golden Gate Symphony, the San Francisco Lesbian & Gay Freedom Band, and of course the San Francisco Composers Chamber Orchestra. Stardust plays the oboe and the English horn.