Hussein Al-Nasrawi is an accomplished pianist who graduated from San Francisco State University (B.M., 2018, and M.M., 2020), and was born to Iraqi parents. His passion for music is showcased through improvisation, by playing pieces by various composers, and by composing pieces representing people and places.

Vance Maverick is a composer in San Francisco. He has worked for many years as a computer programmer, and has also studied composition at university, at the San Francisco Community Music Center, and privately.

Davide Verotta was born in a boring Italian town close to Milano and moved to the very much more exciting San Francisco in his late twenties. He studied piano at the Milano Conservatory and piano and composition at the San Francisco Conservatory and State University (MA in composition), and at the University of California at Davis (PhD). He is an active solo and ensemble piano recitalist, and he is actively involved in the new music performance and composition scene in the San Francisco Bay Area. Recent compositions include works for orchestra, chamber opera, dance, piano solo, and different chamber ensembles. For more information please visit his web site at http://www.davideverotta.com.

Dr. Mark Alburger (1957-2023, Upper Darby, PA) was an award-winning, eclectic ASCAP composer with postminimal, postpopular, and postcomedic sensibilities. He was the Music Director of SF Composers Chamber Orchestra, SF Cabaret Opera / Goat Hall Productions, and The Opus Project; Editor-Publisher of 21st-Century Music and New Music; Adjunct Professor Emeritus of Music Theory and Literature at Diablo Valley College; and a Musicologist for Grove Online and Grove Dictionary of American Music. His principal teachers were Gerald Levinson and Joan Panetti (Swarthmore College, B.A.); Jules Langert (Dominican University, M.A.); Christopher Yavelow (Claremont University, Ph.D.); and Terry Riley. Dr. Alburger had composed 399 major works, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue was available from New Music. (markalburgerworks.blogspot.com)

The multi-instrumentalist Michael Cooke is a composer of jazz and classical music. This two-time Emmy, ASCAPLUS Award and Louis Armstrong Jazz Award winner plays a variety of instruments: you can hear him on soprano, alto, and tenor saxophones, flute, soprano and bass clarinets, bassoon and percussion. A cum laude graduate with a music degree from the University of North Texas, he had many different areas of study; jazz, ethnomusicology, music history, theory and of course composition. In 1991 Michael began his professional orchestral career performing in many north Texas area symphonies. Michael has played in Europe, Mexico, and all over the United States. Cimarron Music Press began published many of Michael's compositions in 1994. After relocating to the San Francisco Bay Area, he has been exploring new paths in improvised and composed music, mixing a variety of styles and techniques that draw upon the creative energy of a multicultural experience, both in and out of America. In 1999, Michael started a jazz label called Black Hat Records (blackhatrecords.com) and is currently on the Board of Directors of the San Francisco Composers Chamber Orchestra. The San Francisco Beacon describes Michael's music as "flowing out color and tone with a feeling I haven't heard in quite a while. Michael plays with such dimension and flavor that it sets (his) sound apart from the rest." Uncompromising, fiery, complex, passionate, and cathartic is how the All Music Guide labeled Michael's playing on Searching by Cooke Quartet, Statements by Michael Cooke and The Is by CKW Trio. His latest release, An Indefinite Suspension of The Possible, is an unusual mixture of woodwinds, trombone, cello, koto and percussion, creating a distinct synergy in improvised music that has previously been untapped.

Composer and Singer, Michael began his composing career as a singer/songwriter in Las Vegas where he formed a band and toured the Las Vegas Area. He began his classical composition in 2010 setting Edgar Allan Poe's The Raven as a song cycle for baritone, and has since arranged the cycle for Oboe, Harp, Violin and Cello. He has set an extensive amount of Art Songs to texts including Pablo Neruda, Josef Von Eichendorff, Heinrich Heine, and more. Michael particularly enjoys settings his contemporaries such as Astrophysicist Neil DeGrasse Tyson, and poetry from an eclectic array of friends and acquaintances. In the summer of 2013 Michael had an exposition of his compositions with a Compositional Recital which featured many fine singers. His work The Highwayman, text by Alfred Noyes, was recently prepared in a virtual recital to benefit the ALSHope Foundation. Michael studies composition privately with many established composers. As well as composing; he has taken on many roles on and off-stage in the Las Vegas, Chicago, San Francisco Bay Area and beyond. These roles include teaching, directing, producing, and, most often, singing.